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“Ja Re Ja Re Ud Ja Re Panchhi”: A Song of Letting Go

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A moment of quiet release — from the song “Ja Re Ja Re Ud Ja Re Panchhi” Would you believe that the song “जा रे, जा रे उड़ जा रे पंछी” can convey such depth of meaning through the simple image of a bird in flight? Just look at the words: जा रे, जा रे उड़ जा रे पंछी बहारों के देस जा रे यहाँ क्या है मेरे प्यारे क्यूँ उजड़ गई बगिया मेरे मन की जा रे ... ना डाली रही ना कली अजब ग़म की आँधी चली उड़ी दुख की धूल राहों में जा रे ... मैं वीणा उठा ना सकी तेरे संग गा ना सकी ढले मेरे गीत आहों में जा रे ... Majrooh Sultanpuri uses the image of a flying bird to express something far deeper than a simple farewell. On the surface, we see Mala Sinha urging Dev Anand to move away from her life. But the song seems to suggest something more — a quiet realisation to break free. That realisation comes after a certain barrenness, an emptiness in existence. The pain strikes like lightning — perhaps a sudden flash of awareness. When one can no longer align with one’s inner harmony, and life’s song fad...
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Weekend Musings: What One Life Taught Me About Peace

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  Remembering Albert Schweitzer For reasons I cannot fully explain, Albert Schweitzer came back to me recently. My first encounter with him was in childhood, when I was barely ten or twelve. I remember a book — blue in colour — far beyond my reading ability at that age. I remember his photograph inside. I remember that it spoke of peace and of service to humanity. I understood neither in any meaningful way, yet something stayed. Perhaps children recognise sincerity before they understand ideas. Life moved on. Over five decades, his name would surface now and then — in passing references, in conversations, in lists of Nobel Peace Prize winners — but I never found the time, or perhaps the inner readiness, to go deeper. And yet, the impression never faded. Today, that unfinished encounter seems to ask for closure. Albert Schweitzer was many things: theologian, philosopher, musician, doctor. But what sets him apart is not achievement; it is choice. At a time when intellectual recognit...
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Weekend Musings: The Female Gaze

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The Enigmatic Look Women Give One Another I have often wondered what women think when they look at one another. It is usually a silent assessment—nothing said aloud—only a quick scanning with the eyes, absorbing little details. That look is intriguing, and I have never quite understood what goes on in their minds in those brief moments. The other day, at the all-ladies branch of my bank, a woman was standing in front of me—businesslike, with two thick pay-in slip books, sorting out some issue with her account. At the next counter, another woman kept watching her intently. I assumed she was connected to the matter, but the nature of her gaze was different. It even made the customer conscious; she suddenly behaved more “official,” as if putting on an armour. The atmosphere felt slightly uncomfortable. And then, almost casually, the woman at the counter remarked on the customer’s earrings—fish-shaped, unique, and beautiful. That broke the tension immediately. But it left me even more puzz...
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Weekend Musings: The Leap of the Frog — A Moment in Haiku

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 An old silent pond— a frog jumps into the pond, splash! Silence again. This weekend’s Musings arose from an invitation to reflect on these lines by Matsuo Bashō. What began as an invitation soon turned into a gentle challenge, as it became clear that the poem invites many ways of seeing. It can even invite silence, as we honour the stillness of the pond. The image is simple, almost bare. A still pond. A sudden leap. A brief splash. And then silence again. Nothing is explained, nothing is concluded. What is offered is a moment, complete in itself. Yet, being a Musing, I must still arrive at my own reading. In these lines, Bashō draws us into a world where there is no past or future — both constructs of the mind, or the ego. He lives entirely moment to moment, in full awareness of it. The past becomes nothing more than memory, a storehouse of conditioning, biases, and habits. The future is merely the drama projected from that past. In such a state of awareness, action is no longer ...
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Weekend Story: When Meaning Outweighs Medals

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Yusra and Sarah Mardini — swimmers, sisters, survivors From the Aegean Night to the Olympic Light There are stories that win medals, and there are stories that win something far rarer — our quiet admiration for what human beings can rise to when life strips them to the barest essentials. The story of Yusra and Sarah Mardini — two young sisters from Syria — belongs to the second kind. Long before the world knew their names, they were just teenagers in Damascus, daughters, students, swimmers. Then the war came, as wars always do — without warning, without reason, without mercy. When they fled their shattered city in 2015, they carried almost nothing except a skill they had learned in childhood: the ability to stay afloat. They were not fleeing a camp. They were fleeing a collapsing homeland. The sisters first escaped from Damascus to Lebanon, and from there made their way to Turkey — the staging point for many refugees trying to reach Europe. From Turkey, they boarded an overcrowded rubb...
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Weekend Musings: The Harmony of Body, Mind, and Air

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She fell twice, the third time made history. A move so dangerous even the World's trapeze artists rarely attempt it: Anna Gosudareva. The more I saw this video, with the caption above, the more I felt that there is something much more to it than a successful attempt after two failed ones. The young acrobat, Anna Gosudareva, has achieved something extraordinary and rarely performed — a quadruple somersault on a Russian bar. The video actually led me to read more, and the more I learned, the more I realised how exceptional this feat is — a genuine peak of human capability, combining strength, timing, mind control, trust, and fearlessness. A Russian bar is a long, slightly flexible pole held on the shoulders of two base performers. The flyer stands on this bar and uses it like a launchpad. When Anna attempts her somersaults, three bodies — hers and the two bases — must move with perfect synchrony. A tiny mistiming of a fraction of a second can send her off-axis. Even a slight tremor ...
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