Rodevra Republic

JOMO—the quiet contentment of staying in, choosing presence over pressure, and finding value without needing to be everywhere . These days, it feels like you need a reason to stay at home. If you are not going somewhere, meeting someone, or doing something—it almost needs explaining Strange, because not very long ago, this was just… an evening. Perhaps it does not need much explaining after all. If one were to listen carefully, there is already a quiet answer. The Moment: There is always something happening somewhere. A sense that one could be elsewhere. JOMO answers: The evening has already arrived here. It just needs your quiet presence. The Moment: There is a new trend, a new place, a new conversation unfolding. It feels important to be part of it. JOMO answers: Not everything that unfolds needs your presence. The Moment: You scroll through moments that look fuller than your own. There is a quiet question—am I missing something? JOMO answers: Or are you finally not m...

The illusion of competence: sometimes we see a lion in the mirror when the world sees a cat Warren Buffett famously said, “Know your circle of competence, and stick within it. The size of that circle is not very important; knowing its boundaries, however, is vital.” While what he says is thought provoking, what it does not account for is the illusion of competence . What is the measure of competence, and how do we really know its boundaries? Very often we see investors who are self-professed “experts” and who, by that reckoning, claim competency. In an age of incompetence, the ordinary can easily appear extraordinary. This illusion of competence is far more dangerous than acknowledged incompetence. It is dangerous because the incompetent soon develop defence mechanisms of being nice, sociable, kind, and charming, basically falling in line to ensure acceptability in society. When enough people begin to do that, the path to mediocrity, even idiocracy, slowly gets established. Those who h...

There are some stories that come to us without certainty, yet carry a quiet conviction of their own. They are not anchored in documented fact, but in something that feels inwardly true. One such story is associated with Franz Kafka . It is said that Kafka once met a little girl in a park who was crying because she had lost her doll. To comfort her, he told her that the doll had not been lost, but had gone travelling. Over the next few days, he wrote letters to her, as if from the doll, describing its journeys. When he could no longer continue, he gave her another doll, gently explaining that the earlier one had “changed” through its travels. There is, however, no record of this in Kafka’s own writings. No letters, no diary entries, no manuscripts refer to such an incident. The story comes to us through a later recollection by Dora Diamant , who was with him toward the end of his life, and has since been retold second-hand over the years. No “doll letters” have ever been found, whi...

An imagined glimpse of an Elizabethan theatre—where stage and audience blur, and every life, in its own way, becomes part of the performance All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts… The first feeling that comes on reading these lines is a certain lightness of being. It gives life a gentle perspective, loosening its grip of seriousness without making it trivial. There is also a quiet freedom in the thought that we can perform our roles sincerely, yet remain aware that the role is not the whole of us. This is suggested in the line, “And all the men and women merely players.” The word merely does not diminish us; rather, it places us within something larger than ourselves. We take on roles—a child, a student, a professional, a friend—play them for a while, and then move on. Just as actors do not own their roles, we do not fully own our identities either; they shift and chan...

Mohammad Reza Shajarian There are moments when the world feels unsettled, when distant conflicts begin to cast long shadows across our thoughts. In such times, it is not only cities and lives that come under strain. Something quieter begins to recede—the space in which music is composed, poetry is recited, and art finds its natural breath. One does not notice its disappearance immediately. But its absence is deeply felt. In the midst of the present turmoil surrounding Iran, one is drawn, almost instinctively, to a song that has lived through many such passages of history. Morghe Sahar —the Bird of Dawn. A voice that has carried hope through decades of unrest—Morghe Sahar, sung by Mohammad Reza Shajarian, remains a quiet companion even now. Rendered unforgettable in the voice of Mohammad Reza Shajarian, it does not belong to a single moment. It has waited, patiently, through decades of unrest, resurfacing whenever the human spirit finds itself pressed against darkness. To understand...

Among the many ideals human beings aspire to, truthfulness stands apart. We often speak of seeking Truth in the highest philosophical or spiritual sense, yet in the practical circumstances of daily life we sometimes allow ourselves small compromises with truth. This contradiction reveals a deeper human frailty. How can one aspire to the Universal Truth while continuing to live with fragments of falsehood? Untruth may promise temporary advantage, but over time it quietly erodes the very core of our being. Truth, on the other hand, serves as our inner compass. Once awakened, it quietly begins to guide and check every action that strays from it. At first the discipline of truthfulness can feel difficult. Yet when truth gradually becomes a way of life, something remarkable happens: the inner truth begins to shine forth naturally. Truthfulness is no longer an effort, but an expression of one's very nature. And truthfulness extends beyond mere words. It means living in harmony with o...

Ad astra per amorem — a gentle reminder that not all journeys upward require struggle; some are carried quietly by love. There are some ideas that arrive to us not as arguments, but as quiet recognitions. They feel familiar the moment we encounter them, as if they had been waiting somewhere within us. Consider this Latin phrase: ad astra per amorem — to the stars through love. At first glance, it feels like a poetic variation of an older, sterner thought: ad astra per aspera — to the stars through hardship. The older world believed in ascent through struggle. One earned one’s place among the stars. But this newer phrasing suggests something gentler. It proposes that there may be another way of rising. To the Stars, Through Love In the final moments of Dante's monumental epic poem, The Divine Comedy , Dante, the 13th century Italian poet, writer and philosopher, arrives at a vision that feels both vast and simple. He speaks of: “the Love that moves the sun and the other stars....

The Audumbar tree — a silent witness to time, light, and reflection. The quiet story behind the image, the symbols, and the ideas that shaped this space. There are many influences that have shaped a home like Rodevra Republic, but at the centre of it all is the image you see here. It is a photograph that has been with me for decades. It appears everywhere in my life — as my profile picture, on my laptop background, and in quiet corners of my digital world. I must have seen it several times a day for years. Yet until recently, I had never paused to ask why this particular image had come to occupy such a steady place in my life. The photograph is of an old Audumbar tree that has stood beside our home for generations. It has been part of the landscape of my life since childhood — a silent and constant presence. When I took the photograph, there was no artistic ambition behind it. It was simply a casual moment. I was not thinking of composition, symbolism, or meaning. It was only muc...

When words are no longer needed, silence becomes companionship Many years ago, early in marriage, a dear relative offered some sage advice on marital harmony. “Be a good listener,” he said, meaning an active listener. According to him, the most fundamental requirement of a woman is to talk and have someone willing to listen. Fulfil that primordial requirement, he assured me, and all will be well. He then added a practical warning. If ever she says, “I am not talking to you!”, treat it as the most severe punishment imaginable. Not that it may mean quite the same thing to you, he said with a smile, but you must carefully conceal any inner happiness at the announcement and behave as if it were indeed the worst calamity that could possibly befall you. The advice has worked admirably over the years. Yet I could not help noticing the curious air of finality in that sentence: “I am not talking to you.” It sounds almost like a verdict. Conversation is not merely speech. It is a small dail...

A word that suggests rarity and quiet recognition—less a definition, more an attempt to name a feeling we already know There are times when a word catches our attention not because of its authority, but because of the feeling it seems to hold. “Àkanní” is one such word. It appears with a meaning that feels immediately recognisable—the idea of something rare, something that comes into our lives not often, but with a quiet sense of rightness. Something to be noticed, and perhaps, gently protected. And yet, when one looks a little closer, the word itself does not seem to carry that meaning in any widely lived or spoken sense. It feels, rather, like an attempt to give shape to a feeling we already understand. So one steps away from the word… but not from the feeling. Because that feeling does exist. We have all known it, in some form or the other. The recognition of something that does not need adjustment. That sits easily within us. That feels, without effort, sufficient. If there i...

“Shikata ga nai” — a quiet acceptance that what cannot be changed must be lived through, with dignity and without resistance There are moments in life when nothing can be changed. It is in such moments that these words find their true meaning. Story 1:   In the days following the bombing of Hiroshima, thousands of survivors wandered through a city that had almost ceased to exist. Homes were gone, streets had vanished, and families were desperately searching for missing relatives. One survivor later recalled seeing a woman moving through the rubble with a small bundle in her arms. At first it looked as if she was carrying a child. When she paused, it became clear that the child had already died. Someone nearby asked gently where she was going. The woman reportedly replied that she was looking for a place to cremate the body. When the person expressing sympathy said how unbearable the tragedy was, she simply answered: "Shikata ga nai."   There was no anger in the words and no d...

In our daily lives, we create mental structures—frameworks of logic, habits, and discipline that help us navigate the world. These structures are necessary. They bring order and clarity, allowing us to function effectively amidst the many demands of life. Yet these structures also carry a hidden limitation. Over time they can harden into patterns—fixed ways of thinking, reacting, and perceiving. Gradually, we find ourselves confined within the very frameworks that once helped us. Thoughts repeat themselves, behaviours become mechanical, and emotional responses follow familiar grooves. The mind, once fluid and open, begins to resemble a structure—dense, rigid, and resistant. What lies beyond these self-created patterns? When we dare to lift our gaze and loosen our grip on these rigid constructs, we open ourselves to something far greater—a universal creative force that underlies all existence. This energy is not bound by logic or form; it moves freely, harmoniously, and beautifully. Whe...

Focused, fluid, and at ease with the instrument   A refreshing interpretation of an evergreen melody. The improvisation, especially on the piano, adds a new dimension without taking away from the original. At first glance, the instrument being played appears to be a santoor. But on closer observation — the construction of the instrument, the shape of the mallets, and the playing technique — it seems more likely to be a hammered dulcimer. The instrument has strong roots in West Asian musical traditions and continues to be widely played there. The performer’s ease and familiarity with it come through clearly, suggesting a deep connection with the instrument. Her striking presence — particularly her warm, olive-toned complexion — adds to the visual appeal of the performance. Rodevra Republic is the writing space of Rodevra. You may explore Rodevra here

“Saoirse” — a word for freedom that speaks not just of release, but of living fully, with quiet dignity and selfhood The image here presents the word “Saoirse,” a beautiful term from the Irish Gaelic language. At first glance it appears unfamiliar, yet it carries a simple and powerful meaning — freedom. What makes it interesting is not just the meaning, but the depth and feeling the word seems to hold. The language itself has ancient roots, yet it continues to live on in everyday Ireland — in names, institutions, and public life — quietly carrying its cultural memory forward. Ireland has a unique linguistic situation where English is the dominant everyday language, but Irish (Gaeilge) continues to live alongside it in culture, education, and identity. Hence the word "Saoirse" assumes particular significance. You will see Irish words everywhere, on road signs, public buildings, and even television and radio channels. It is somewhat like how we use Sanskrit names for our insti...

  This advertisement reminded me of my days with Lloyd’s Register, a blue-blooded British company with a global presence. Naturally, it had people working from across the world, and the common language was, of course, English. In our interactions with colleagues from different countries, we heard many ‘flavours’ of English. From the Japanese to the Dutch, the Greek, French, Chinese and Korean, during our international conference calls all these accents came through as a heady mix. There was never a question of whose English was right. We were far more interested in what people had to say. In fact, clarity mattered far more than accent. The British managers too never imposed their English. Instead, they encouraged a code of simple English, recognising that there would be people from many nationalities for whom English was a second language. The aim was not elegance of language, but clarity of communication. But then, what is the right English? English today is spoken by millions acr...